Zygmunt Haupt (1963-64) © fot. Arthur Haupt

HONESTLY AND VOLUNTARILY HELPING WITH THE INVESTIGATION | TARAS PROCHAŚKO

It seems that Zygmunt Haupt did not write for those who found simple reading to be enough. I suppose that he wrote for those who, even while they read, think about how to write something of their own. And for those few who, willing to write themselves, read not to learn how it’s possible to write but to know: it isn’t worth doing it this way anymore. For it has already been done this way. And it is impossible to do it again, since this kind of repetition loses its sense before it has even been written.

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Zygmunt Haupt (1963-64) © fot. Arthur Haupt

FLAT BUG | ZOFIA KRÓL, PhD

“Flies mottled densely the chipped enamel on the tacky clock face*” – reading Haupt’s prose comes with the risk of regular spells of astonishment. What is so wrong with this piece of a sentence that one wants to read it over and over again, aloud, aligning the facial muscles for all the contortions?

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Zygmunt Haupt (1963-64) © fot. Arthur Haupt

EXERCISES IN TOPOGRAPHY OR SZYMBARK OF THE TIMES OF ZYGMUNT HAUPT | MAREK DZIEDZIAK

The Zygmunt Haupt Festival in Gorlice is a perfect opportunity not only to discover the creative work of a writer and painter unknown to the broad public, but also to discover the places where he spent time and created. In his letter to Haupt, Jerzy Stempowski wrote the following about his book “Pierścień z papieru”:

As a painter with more of a static imagination, you evoke separate images without taking care to put them into continuous sequences. This magic was known to Petrarch. He described all the places he had been to as if in exercises in topography.*

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Zygmunt Haupt (1963-64) © fot. Arthur Haupt

THE WORLD OF WORDS – AN ESSAY ABOUT ONE ASPECT OF ZYGMUNT HAUPT’S WRITING | PAWEŁ PANAS, PhD

1.

Let us once again begin with the writer’s letters. In his letter from the 9th of January Zygmunt Haupt confides in Józef Wittlin:

I will soon be facing an unpleasant kind of situation. Namely, some New Orleans committee approached me on the account of helping them as a translator, regarding the reception of the first grand transports of Polish IDPs, which is to enter their harbour. Should it come to this, I will attempt to restrict my role to translator only, for my opinions on the new, longed-for life which they are to begin here, those opinions would be paradoxical and unenthusiastic.*

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Zygmunt Haupt (1963-64) © fot. Arthur Haupt

HAUPT. UNCEASING FESTIVAL OF THE WORLD | ANDRZEJ NIEWIADOMSKI, PhD

The Haupt Festival in Gorlice. Alright, I thought, it has begun… No, maybe it’s not alright. Or actually… After all, today does seem to be an inevitable stage in the process of familiarising oneself with and exploring the works by the author of “Rain.”

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Zygmunt Haupt (1963-64) © fot. Arthur Haupt

TIME FOR HAUPT TO COME BACK | ANDRZEJ STASIUK

So what of this Haupt? This writer who is forgotten, particular, akin to no-one? What of this author of excerpts, snippets, pieces with no punch line? It’s all  frayed, torn, without onset or conclusion, without distinct form. Six hundred printed pages in soft cover. Will probably fall apart from extended use. The pages will scatter. They’ll mix, shuffle as in an unpredictable game of solitaire. What is to be done with him? With this champion of the unobvious. With this slave and master of memory.

Zygmunt Haupt (1963-64) © fot. Arthur Haupt

ZYGMUNT HAUPT | LIFE AND WORK

Born on the 5th of March in 1907 Ulashkivtsi (Chortkiv powiat, Tarnopol voivodeship), died on the 10th of May  1975 in Winchester (Virginia, USA). Writer of prose, painter, translator, journalist.

Zygmunt Haupt (1963-64) © fot. Arthur Haupt

LITERARY WORKS | 1935-75, 1988-2014

Zygmunt Haupt published his first stories in the 1930s. It was not until he received the 1962 Kultura award, however, that he became better known among Polish readers. He was again appreciated in 1971, when he was granted the Kościelscy Foundation literary award. Below we present Zygmunt Haupt’s literary works from the years 1935-75, and the posthumous publications from  1988-2014, edited by prof. Aleksander Madyda.

Zygmunt Haupt (1963-64) © fot. Arthur Haupt

VISUAL ART WORK | 1933-75

Zygmunt Haupt first studied architecture at the Lviv University, and then in 1931-32 urban studies in Paris. There he started to paint and write. He earned money from drawing, painting, designing. Below we present his visual art works from 1933-75, edited by prof. Aleksander Madyda.

Zygmunt Haupt (1963-64) © fot. Arthur Haupt

RESEARCH PAPERS, LITERARY CRITICISM, REVIEWS | 1950-2015

Below we present research papers, literary criticism, and reviews dedicated to Zygmunt Haupt, edited by prof. Aleksander Madyda.